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Didi-Huberman and the Image$
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Chari Larsson

Print publication date: 2020

Print ISBN-13: 9781526149268

Published to Manchester Scholarship Online: May 2021

DOI: 10.7765/9781526149275

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PRINTED FROM MANCHESTER SCHOLARSHIP ONLINE (www.manchester.universitypressscholarship.com). (c) Copyright Manchester University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MSO for personal use.date: 23 September 2021

The materiality of images

The materiality of images

Chapter:
(p.48) 2 The materiality of images
Source:
Didi-Huberman and the Image
Author(s):

Chari Larsson

Publisher:
Manchester University Press
DOI:10.7765/9781526149275.00007

The book’s argument is extended in this chapter by investigating Didi-Huberman’s concern with matter and materiality by way of three themes that distinguished his writing through the 1900s: the pan, dissemblance and presencing. Didi-Huberman’s interest in the image’s materiality comes to the fore with the case study Fra Angelico’s marmi finti, or the fictive marble panels in the corridor of the San Marco convent. Chapter 2 asks the question: What role does early Christian theology play in Didi-Huberman’s work? This facilitates a rethinking of the entire philosophical and historical tradition in which the history of art has been understood, with its dependency on Platonism and Renaissance humanism.

Keywords:   Materiality, Form, Matter, Le pan, Dissemblance, Fra Angelico, The symptom

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