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Anna of DenmarkThe material and visual culture of the Stuart courts, 1589-1619$
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Jemma Field

Print publication date: 2020

Print ISBN-13: 9781526142498

Published to Manchester Scholarship Online: January 2021

DOI: 10.7765/9781526142504

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PRINTED FROM MANCHESTER SCHOLARSHIP ONLINE (www.manchester.universitypressscholarship.com). (c) Copyright Manchester University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MSO for personal use.date: 29 July 2021

Collecting and display

Collecting and display

Chapter:
(p.83) 3 Collecting and display
Source:
Anna of Denmark
Author(s):

Jemma Field

Publisher:
Manchester University Press
DOI:10.7765/9781526142504.00011

Nuances the male-dominated history of collecting and display at the Stuart court, and the use of the “Italianate” as the benchmark of cultural erudition. Confirms that Anna’s palaces were largely filled with Flemish and Dutch artworks and argues that, far from being a sign of her disinterest or naïveté, these goods were a tool for building affinity with her Danish ancestors and siblings while highlighting the continued currency of artistic centres outside of Italy. It further shows the queen facilitating cultural transfer between the Stuart and Oldenburg courts as numerous parallels link Anna’ tastes, interests, and patronage, with those of her brother, King Christian IV of Denmark (1577-1648), which are particularly noticeable in the realms of painting and music.

Keywords:   Display, Music, Art Collecting, Access, Spatial protocols, Cultural transfer

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