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Empires of LightVision, Visibility and Power in Colonial India$
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Niharika Dinkar

Print publication date: 2019

Print ISBN-13: 9781526139634

Published to Manchester Scholarship Online: May 2020

DOI: 10.7765/9781526139641

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PRINTED FROM MANCHESTER SCHOLARSHIP ONLINE (www.manchester.universitypressscholarship.com). (c) Copyright Manchester University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MSO for personal use.date: 30 July 2021

Erotics of the body politic: the naked and the clothed

Erotics of the body politic: the naked and the clothed

(p.151) 4 Erotics of the body politic: the naked and the clothed
Empires of Light

Niharika Dinkar

Manchester University Press

A discourse on veiling and unveiling was implicated in changing notions of the body in nineteenth century India, prominent amongst which was the place of the female nude. Introduced by European artists and taught at the British-run academic art schools in India, the nude was also displayed in the houses and palaces of the elite as a symbol of good taste. This chapter argues that this idea of the nude – as the body shorn of all clothing – was premised upon Enlightenment ideas of the ‘naked truth’ that assumed the naked body as ‘natural’ and prior to representation. In the Indian context, however, as many authors have noted, it was the adorned body that was regarded as auspicious. This chapter evaluates how the female body becomes the site of an inordinate erotic investment in nineteenth-century Indian pictorial practice, premised upon exactly such a mechanism of veiling and unveiling, providing us with some historical perspective in recent debates on nudity in Indian painting.

Keywords:   Erotics, Veiling, Unveiling, Body, Female nude, Clothing, Naked truth, Adorned body

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