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UltrasThe Passion and Performance of Contemporary Football Fandom$
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Mark Doidge, Radoslaw Kossakowski, and Svenja Mintert

Print publication date: 2020

Print ISBN-13: 9781526127624

Published to Manchester Scholarship Online: September 2020

DOI: 10.7765/9781526127631

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PRINTED FROM MANCHESTER SCHOLARSHIP ONLINE (www.manchester.universitypressscholarship.com). (c) Copyright Manchester University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MSO for personal use.date: 21 September 2021

Ultras and the performance of gender

Ultras and the performance of gender

(p.112) 5 Ultras and the performance of gender

Mark Doidge

Radosław Kossakowski

Svenja Mintert

Manchester University Press

Football fandom has historically been dominated by men. The ultras style, in particular, becomes a site of hegemonic masculinity where participants perform their understandings of gender. Many performances are explicitly masculine, incorporating defence of territory, status, physical and sexual dominance, and violence. These are symbolised in images of warriors, valorised transgressive acts, or images of fraternal solidarity. Each communicates that there is one type of (hegemonic) masculinity that encapsulates the group, in comparison to their feminised rivals. Yet there is nothing explicitly masculine about fandom. Female ultras participate in the rituals, yet also have to navigate the explicit masculinity on display.

Keywords:   ultras, football fandom, performance, gender, masculinity

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