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Art, Global Maoism and the Chinese Cultural Revolution$
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Jacopo Galimbert, Noemi de Haro García, and Victoria H. F. Scott

Print publication date: 2020

Print ISBN-13: 9781526117465

Published to Manchester Scholarship Online: May 2020

DOI: 10.7765/9781526117472

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PRINTED FROM MANCHESTER SCHOLARSHIP ONLINE (www.manchester.universitypressscholarship.com). (c) Copyright Manchester University Press, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MSO for personal use.date: 12 August 2020

Iconography of a prison massacre: drawings by Peruvian Shining Path war survivors

Iconography of a prison massacre: drawings by Peruvian Shining Path war survivors

Chapter:
(p.289) 15 Iconography of a prison massacre: drawings by Peruvian Shining Path war survivors
Source:
Art, Global Maoism and the Chinese Cultural Revolution
Author(s):
Anouk Guiné
Publisher:
Manchester University Press
DOI:10.7765/9781526117472.00020

Anouk Guiné’s study is set against the background of the civil war between the Communist Party of Peru (PCP), also known as Shining Path (Sendero Luminoso), and the Peruvian state, a conflict that began in 1980 and lasted well into the 1990s. Relying also on interviews with detainees, Guiné engages with the depiction of the massacre that was produced by Maoist convicts. She discusses issues of memory, resistance, resilience and popular imagery.

Keywords:   Peru, Mao, Maoism, art, Shining Path, Sendero Luminoso, El Frontón, prison massacre

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