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Art, Global Maoism and the Chinese Cultural Revolution$
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Jacopo Galimbert, Noemi de Haro García, and Victoria H. F. Scott

Print publication date: 2020

Print ISBN-13: 9781526117465

Published to Manchester Scholarship Online: May 2020

DOI: 10.7765/9781526117472

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PRINTED FROM MANCHESTER SCHOLARSHIP ONLINE (www.manchester.universitypressscholarship.com). (c) Copyright Manchester University Press, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MSO for personal use.date: 11 August 2020

Avenida Mao Tse Tung (or how artists navigated the Mozambican Revolution)

Avenida Mao Tse Tung (or how artists navigated the Mozambican Revolution)

Chapter:
(p.249) 13 Avenida Mao Tse Tung (or how artists navigated the Mozambican Revolution)
Source:
Art, Global Maoism and the Chinese Cultural Revolution
Author(s):
Polly Savage
Publisher:
Manchester University Press
DOI:10.7765/9781526117472.00018

Polly Savage’s chapter examines Maoism in Mozambique. Drawing on interviews and archival records, the study focuses on the Front for the Liberation of Mozambique (or FRELIMO). Between 1970 and 1977 FRELIMO negotiated an artistic and cultural agenda combining, not without difficulties, leftist internationalism and local traditions. The analysis of works produced by the graphic designer ‘Mphumo’ João Craveirinha Jr offers insightful perspectives on how these tensions materialised in images.

Keywords:   Mozambique, Mao, Maoism, art, Front for the Liberation of Mozambique, FRELIMO, ‘Mphumo’ João Craveirinha Jr

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