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Art, Global Maoism and the Chinese Cultural Revolution$
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Jacopo Galimbert, Noemi de Haro García, and Victoria H. F. Scott

Print publication date: 2020

Print ISBN-13: 9781526117465

Published to Manchester Scholarship Online: May 2020

DOI: 10.7765/9781526117472

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PRINTED FROM MANCHESTER SCHOLARSHIP ONLINE (www.manchester.universitypressscholarship.com). (c) Copyright Manchester University Press, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MSO for personal use.date: 12 August 2020

Maoism, Dadaism and Mao-Dadaism in 1960s and 1970s Italy

Maoism, Dadaism and Mao-Dadaism in 1960s and 1970s Italy

Chapter:
(p.213) 11 Maoism, Dadaism and Mao-Dadaism in 1960s and 1970s Italy
Source:
Art, Global Maoism and the Chinese Cultural Revolution
Author(s):
Jacopo Galimberti
Publisher:
Manchester University Press
DOI:10.7765/9781526117472.00016

Could one at once be a Maoist and poke fun at Mao’s cult? This is the central issue explored in Jacopo Galimberti’s chapter, which investigates aspects of Italian Maoism as they were played out in four publications: the hardline newspaper Servire il Popolo, the counter-cultural magazine Re Nudo, the intellectual periodical Che Fare and the fanzine A/traverso. By 1976 some Italian militants were advocating a new form of Maoism that conflated pop culture, autonomist Marxism, Gilles Deleuze’s and Félix Guattari’s philosophy and, last but not least, avant-garde art.

Keywords:   Italy, Mao, Maoism, Dadaism, Mao-Dadaism, art, avant-garde, radical Italian periodicals, Félix Guattari

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