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Art, Global Maoism and the Chinese Cultural Revolution$
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Jacopo Galimbert, Noemi de Haro García, and Victoria H. F. Scott

Print publication date: 2020

Print ISBN-13: 9781526117465

Published to Manchester Scholarship Online: May 2020

DOI: 10.7765/9781526117472

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PRINTED FROM MANCHESTER SCHOLARSHIP ONLINE (www.manchester.universitypressscholarship.com). (c) Copyright Manchester University Press, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MSO for personal use.date: 12 August 2020

Mao, militancy and media: Daniel Dezeuze and China from scroll to (TV) screen

Mao, militancy and media: Daniel Dezeuze and China from scroll to (TV) screen

Chapter:
(p.165) 9 Mao, militancy and media: Daniel Dezeuze and China from scroll to (TV) screen
Source:
Art, Global Maoism and the Chinese Cultural Revolution
Author(s):
Sarah Wilson
Publisher:
Manchester University Press
DOI:10.7765/9781526117472.00014

Sarah Wilson looks beyond the standard formalist readings of the artist Daniel Dezeuze’s work and follows his trajectory into the 1980s, when he participated in an official exchange visit to China; tracing the episode right up to the present, with the installation that Wilson proposed for the first Asian/fifth Guangzhou Triennale.

Keywords:   France, China, Mao, Maoism, art, Daniel Dezeuze, Supports/Surfaces

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