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Art, Global Maoism and the Chinese Cultural Revolution$
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Jacopo Galimbert, Noemi de Haro García, and Victoria H. F. Scott

Print publication date: 2020

Print ISBN-13: 9781526117465

Published to Manchester Scholarship Online: May 2020

DOI: 10.7765/9781526117472

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PRINTED FROM MANCHESTER SCHOLARSHIP ONLINE (www.manchester.universitypressscholarship.com). (c) Copyright Manchester University Press, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MSO for personal use.date: 12 August 2020

The Red Flag: The art and politics of West German Maoism

The Red Flag: The art and politics of West German Maoism

Chapter:
(p.109) 6 The Red Flag: The art and politics of West German Maoism
Source:
Art, Global Maoism and the Chinese Cultural Revolution
Author(s):
Lauren Graber, Daniel Spaulding
Publisher:
Manchester University Press
DOI:10.7765/9781526117472.00011

Lauren Graber and Daniel Spaulding’s joint contribution, ‘The Red Flag: the art and politics of West German Maoism’, maps artistic Maoism in West Germany from the late 1960s to the early 1970s, tying it to both the student movement and the extra-parliamentary opposition. Looking at a broad sample of artists, the authors demonstrate how the image of Mao and the politics for which it stood became contested terrain where the complex dialectic of Pop art and revolution was played out in perhaps its most spectacular form.

Keywords:   West Germany, Mao, Maoism, art, Chinese Cultural Revolution, 1960s, Pop art

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