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Counterfactual Romanticism$
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Damian Walford Davies

Print publication date: 2019

Print ISBN-13: 9781784991418

Published to Manchester Scholarship Online: May 2020

DOI: 10.7765/9781526107077

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PRINTED FROM MANCHESTER SCHOLARSHIP ONLINE (www.manchester.universitypressscholarship.com). (c) Copyright Manchester University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MSO for personal use.date: 26 September 2021

Lord Byron reads The Prelude

Lord Byron reads The Prelude

Chapter:
(p.129) 5 Lord Byron reads The Prelude
Source:
Counterfactual Romanticism
Author(s):

Kenneth R. Johnston

Publisher:
Manchester University Press
DOI:10.7765/9781526107077.00011

Daring to imagine Wordsworth’s Prelude published ‘not long after he first finished it’ in May 1805 – rather than posthumously in 1850 – this chapter speculates on the effects on younger writers of the poem’s radical ‘self-creation mode’. The chapter explores what Wordsworth’s contemporaries were denied by the poet’s decision not to publish his autobiographical epic at the point of first completion. Counterfactually exploring the impactfulness of The Prelude’s models on Byron – and emphasising how challenging and unsympathetic certain aspects of the poem might at first have been for him – the chapter brings into play an uncannily ‘Romantic’ (rather than Victorian) Prelude and a defamiliarised Byron, with each becoming the other’s uncanny avatar.

Keywords:   Romantic counterfactualism, Counterfactual Romanticism, The Prelude, literary history, non-publication

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