Show Summary Details
- Title Pages
- Figures
- List of contributors
- Introduction
-
1 Spectacle and martyrdom: bloody suffering, performed suffering and recited suffering in French tragedy (late sixteenth and early seventeenth centuries)1 -
2 The Massacre of the Innocents: infanticide and solace in the seventeenth-century Low Countries -
3 To travel to suffer: towards a reverse anthropology of the early modern colonial body -
4 ‘I feel your pain’: some reflections on the (literary) perception of pain -
5 Masochism and the female gaze -
6 Epicurean tastes: towards a French eighteenth-century criticism of the image of pain -
7 Wounding realities and ‘painful excitements’: real sympathy, the imitation of suffering and the visual arts after Burke’s sublime -
8 Forced witnessing of pain and horror in the context of colonial and religious massacres: the case of the Irish Rebellion, 1641–53 -
9 Theatrical torture versus dramatic cruelty: subjection through representation or praxis1 -
10 Palermo’s past public executions and their lingering memory1 -
11 The economics of pain: pain in Dutch stock trade discourses and practices, 1600–1750 -
Epilogue
1 - Index
(p.xii) List of contributors
(p.xii) List of contributors
- Source:
- The Hurt(ful) Body
- Author(s):
- Tomas Macsotay, Cornelis van der Haven, Karel Vanhaesebrouck
- Publisher:
- Manchester University Press
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- Title Pages
- Figures
- List of contributors
- Introduction
-
1 Spectacle and martyrdom: bloody suffering, performed suffering and recited suffering in French tragedy (late sixteenth and early seventeenth centuries)1 -
2 The Massacre of the Innocents: infanticide and solace in the seventeenth-century Low Countries -
3 To travel to suffer: towards a reverse anthropology of the early modern colonial body -
4 ‘I feel your pain’: some reflections on the (literary) perception of pain -
5 Masochism and the female gaze -
6 Epicurean tastes: towards a French eighteenth-century criticism of the image of pain -
7 Wounding realities and ‘painful excitements’: real sympathy, the imitation of suffering and the visual arts after Burke’s sublime -
8 Forced witnessing of pain and horror in the context of colonial and religious massacres: the case of the Irish Rebellion, 1641–53 -
9 Theatrical torture versus dramatic cruelty: subjection through representation or praxis1 -
10 Palermo’s past public executions and their lingering memory1 -
11 The economics of pain: pain in Dutch stock trade discourses and practices, 1600–1750 -
Epilogue
1 - Index
