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Film Modernism$
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Sam Rohdie

Print publication date: 2015

Print ISBN-13: 9781784992637

Published to Manchester Scholarship Online: May 2016

DOI: 10.7228/manchester/9781784992637.001.0001

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Montage (2)

Montage (2)

Chapter:
(p.145) Montage (2)
Source:
Film Modernism
Author(s):

Sam Rohdie

Publisher:
Manchester University Press
DOI:10.7228/manchester/9781784992637.003.0035

The juxtapositions of fragments in Histoire(s) are of various kinds accomplished by various means. They involve angles, light, surface, depth, duration (acceleration, slow motion, flickering), graphic lines (verticality, horizontality), scale and dimension. Some are rhetorical, poetic or musical: condensations, inversions, correspondences, contraries, dissonances, contrasts, rhythms, pauses, repetitions, refrains, rhymes, succession, tempo, conflation. Some, while formal and rhetorical, specifically involve recurrent motifs and subjects: hands, eyes, monsters, aircraft, bestiality, savagery, executions, heroism, innocence, dance, war, slaughter, the Holocaust, Hitler, Mussolini, Hitchcock, Rossellini, John Ford, Jean Renoir, Nick Ray, D W Griffith, Sergei Eisenstein, Buster Keaton, Charlie Chaplin.

Keywords:   dissonance, inversion, juxtapositions, fragments

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