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Film Modernism$
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Sam Rohdie

Print publication date: 2015

Print ISBN-13: 9781784992637

Published to Manchester Scholarship Online: May 2016

DOI: 10.7228/manchester/9781784992637.001.0001

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PRINTED FROM MANCHESTER SCHOLARSHIP ONLINE (www.manchester.universitypressscholarship.com). (c) Copyright Manchester University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MSO for personal use.date: 29 July 2021

Modernity

Modernity

Chapter:
(p.137) Modernity
Source:
Film Modernism
Author(s):

Sam Rohdie

Publisher:
Manchester University Press
DOI:10.7228/manchester/9781784992637.003.0033

Griffith’s editing spatialised time and Griffith established a tension between the temporal linearity of the narrative and the spatial simultaneity of his parallel alternating editing. One of the interesting aspects of F for Fake is the circularity and overlapping of the editing as if the film was a spatial surface upon which various temporalities were edited together, the case with Griffith.

Keywords:   time, spatialised, parallel, circularity

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