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Film Modernism$
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Sam Rohdie

Print publication date: 2015

Print ISBN-13: 9781784992637

Published to Manchester Scholarship Online: May 2016

DOI: 10.7228/manchester/9781784992637.001.0001

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(p.128) Minimalism
Film Modernism

Sam Rohdie

Manchester University Press

The stories, as narrated by Bresson, only appear to be predestined after the fact, not before. Nothing that comes before determines the final outcome until the outcome is reached and then as a consequence can be read back into the events that preceded it. The outcome is neither logical nor exactly linear. It simply arrives. It arrives because it is in the nature of things, but that nature is an illumination, not a causal chain. If, indeed, Bresson repeats the story of the Passion, returns to it, his loyalty to it, as is his loyalty to the novels of Bernanos, is literal and redundant. He does not adapt the literary text or illustrate it. He repeats it. Particularly, in Le journal, each act you see is the repetition of the act that has been spoken in the narration.

Keywords:   God, predestination, coincidence

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