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Film Modernism$
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Sam Rohdie

Print publication date: 2015

Print ISBN-13: 9781784992637

Published to Manchester Scholarship Online: May 2016

DOI: 10.7228/manchester/9781784992637.001.0001

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Inertia

Inertia

Chapter:
(p.95) Inertia
Source:
Film Modernism
Author(s):

Sam Rohdie

Publisher:
Manchester University Press
DOI:10.7228/manchester/9781784992637.003.0023

Godard’s cinema was a model for Bertolucci and his Prima della rivoluzione (1964) is Bertolucci’s most godardian film. It has Godard’s looseness, openness and sense of the casual, his episodic structures, jump cuts that compromise continuity creating associations and rhymes and doublings rather than a narrative of consequence, linearity and causation. Classical cinematic rules are overturned and violated. The Bertolucci film, like Godard’s films, digress from a centre, deviate, wander, migrate.

Keywords:   linearity, digress, causation

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