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Film Modernism$
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Sam Rohdie

Print publication date: 2015

Print ISBN-13: 9781784992637

Published to Manchester Scholarship Online: May 2016

DOI: 10.7228/manchester/9781784992637.001.0001

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PRINTED FROM MANCHESTER SCHOLARSHIP ONLINE (www.manchester.universitypressscholarship.com). (c) Copyright Manchester University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MSO for personal use.date: 05 August 2021

Frames

Frames

Chapter:
(p.77) Frames
Source:
Film Modernism
Author(s):

Sam Rohdie

Publisher:
Manchester University Press
DOI:10.7228/manchester/9781784992637.003.0019

Though objects and associations tended to coalesce on contact, they also tended to disperse, going off in different directions to their origins and beyond, making of the exhibition a map of pathways and possible journeys that exceeded it, defying any presumed unity. No one thing sufficed, each was particular (none ‘served’ an apparent function) and all were plural because they suggested multiple places and entries.

Keywords:   pathways, directions, exhibition

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