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Film Modernism$
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Sam Rohdie

Print publication date: 2015

Print ISBN-13: 9781784992637

Published to Manchester Scholarship Online: May 2016

DOI: 10.7228/manchester/9781784992637.001.0001

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PRINTED FROM MANCHESTER SCHOLARSHIP ONLINE (www.manchester.universitypressscholarship.com). (c) Copyright Manchester University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MSO for personal use.date: 05 August 2021

Destructuring

Destructuring

Chapter:
(p.57) Destructuring
Source:
Film Modernism
Author(s):

Sam Rohdie

Publisher:
Manchester University Press
DOI:10.7228/manchester/9781784992637.003.0014

The notion of deconstruction is not exactly a taking apart of structures as it is the awareness that all structures contain within them their contrary and hence an instability. It was not that the French Nouvelle Vague critics dismantled classicism but that they perceived another system within it, another possibility, hence another cinema. Thus, classicism was not to be denounced, contested or displaced, but appreciated not simply for what was there, but what could be in what was there.

Keywords:   classicism, displaced, possibility

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