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Film Modernism$
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Sam Rohdie

Print publication date: 2015

Print ISBN-13: 9781784992637

Published to Manchester Scholarship Online: May 2016

DOI: 10.7228/manchester/9781784992637.001.0001

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PRINTED FROM MANCHESTER SCHOLARSHIP ONLINE (www.manchester.universitypressscholarship.com). (c) Copyright Manchester University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MSO for personal use.date: 29 July 2021

Colour

Colour

Chapter:
(p.43) Colour
Source:
Film Modernism
Author(s):

Sam Rohdie

Publisher:
Manchester University Press
DOI:10.7228/manchester/9781784992637.003.0011

the entire film, is based primarily on fraternities, similarities, the formation of constellations whereby something in one element forms a continuity with something else in another element each sharing aspects of love and death, embracing and parting, a recitative and a love song, kisses and blood, hence their partial not completely aligned overlaps as layers or sheets of similarities that emphasise accords and also differences in gaps of time, space, place, action, substance.

Keywords:   gaps, overlaps, fraternities, space

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