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Film Modernism$
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Sam Rohdie

Print publication date: 2015

Print ISBN-13: 9781784992637

Published to Manchester Scholarship Online: May 2016

DOI: 10.7228/manchester/9781784992637.001.0001

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PRINTED FROM MANCHESTER SCHOLARSHIP ONLINE (www.manchester.universitypressscholarship.com). (c) Copyright Manchester University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MSO for personal use.date: 05 August 2021

Authorship

Authorship

Chapter:
(p.25) Authorship
Source:
Film Modernism
Author(s):

Sam Rohdie

Publisher:
Manchester University Press
DOI:10.7228/manchester/9781784992637.003.0006

The American cinema is first and foremost an industry producing goods for mass consumption and profit. Filmmakers, like Orson Welles and John Cassavetes, who experimented with new forms of film outside the conventions of Hollywood, were not welcome in Hollywood. Though Hollywood has always supported innovations that its commercial system could make profitable, it has not welcomed innovations with limited appeal to audiences, innovations that went too far.

Keywords:   genius, artist, subjectivity

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