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Film Modernism$
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Sam Rohdie

Print publication date: 2015

Print ISBN-13: 9781784992637

Published to Manchester Scholarship Online: May 2016

DOI: 10.7228/manchester/9781784992637.001.0001

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PRINTED FROM MANCHESTER SCHOLARSHIP ONLINE (www.manchester.universitypressscholarship.com). (c) Copyright Manchester University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MSO for personal use.date: 29 July 2021

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Chapter:
(p.7) Archive
Source:
Film Modernism
Author(s):

Sam Rohdie

Publisher:
Manchester University Press
DOI:10.7228/manchester/9781784992637.003.0004

Jean-Luc Godard tends to break up any pattern or configuration he gives shape to in his films or whose shape he happens to encounter or discover as it is being formed or perceived through the lens of the camera or at the editing table. The images and sounds in Histoire(s) du cinéma (1988-98) are mostly fragments from other unities cut out from an original context and, even if recognisable, something new.

Keywords:   classification, pluralism, history

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