- Title Pages
- Dedication
- Foreword
- Acknowledgements
- Introduction
- Allegory
- Ambulation
- Archive
- Arrangements
- Authorship
- Bodies
- Bricolage
- Characters
- Classicism
- Colour
- Contradiction
- Desire
- Destructuring
- Drama
- Duplication
- Elsewhere
- Film noir
- Frames
- History
- Images
- Immediacy
- Inertia
- Insufficiency
- Investigations (1)
- Investigations (2)
- Language
- Levels
- Masquerade
- Melodrama
- Minimalism
- Mise en scène
- Modernity
- Montage (1)
- Montage (2)
- Museum
- Myth
- Narrative
- Networks
- Nowhere
- Pop
- Portraiture
- Randomness
- Realism (1)
- Realism (2)
- Realities
- Reproduction
- Returns
- Theatre
- Time
- Truth
- Vertigo
- Voyages (1)
- Voyages (2)
- Writing
- Bibliography
- Filmography
Ambulation
Ambulation
- Chapter:
- (p.5) Ambulation
- Source:
- Film Modernism
- Author(s):
Sam Rohdie
- Publisher:
- Manchester University Press
There are two symmetrical spaces in the film and a space between them. The spaces are the other side of each other and the contrary of one another: the interior is closed, social (meetings, eroticism, conversations), the exterior is open and anti-social (private, hostile and misanthropic). Between the two is the bus that he travels in from one space to another. Monteiro plays within this simple structure where things become very complicated. Each space has its own rhythms and music through the editing and the shooting. Monteiro plays upon, as one might play with a poem or a piece of music, with the fixed and the passing, with duration and tempo, with rhymes and counterpoints.
Manchester Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
Please, subscribe or login to access full text content.
If you think you should have access to this title, please contact your librarian.
To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.
- Title Pages
- Dedication
- Foreword
- Acknowledgements
- Introduction
- Allegory
- Ambulation
- Archive
- Arrangements
- Authorship
- Bodies
- Bricolage
- Characters
- Classicism
- Colour
- Contradiction
- Desire
- Destructuring
- Drama
- Duplication
- Elsewhere
- Film noir
- Frames
- History
- Images
- Immediacy
- Inertia
- Insufficiency
- Investigations (1)
- Investigations (2)
- Language
- Levels
- Masquerade
- Melodrama
- Minimalism
- Mise en scène
- Modernity
- Montage (1)
- Montage (2)
- Museum
- Myth
- Narrative
- Networks
- Nowhere
- Pop
- Portraiture
- Randomness
- Realism (1)
- Realism (2)
- Realities
- Reproduction
- Returns
- Theatre
- Time
- Truth
- Vertigo
- Voyages (1)
- Voyages (2)
- Writing
- Bibliography
- Filmography