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Film Modernism$
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Sam Rohdie

Print publication date: 2015

Print ISBN-13: 9781784992637

Published to Manchester Scholarship Online: May 2016

DOI: 10.7228/manchester/9781784992637.001.0001

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Allegory

Allegory

Chapter:
(p.2) Allegory
Source:
Film Modernism
Author(s):

Sam Rohdie

Publisher:
Manchester University Press
DOI:10.7228/manchester/9781784992637.003.0002

A series of likenesses are posed in the film between unlike things: the delinquent, confused, miserable Ettore, child of the borgate and Christ the Saviour; the whore, Mamma Roma, and the mother of Christ; the present of Italy and the past of Italy (the Renaissance) and further back a classical past at the time of Christ; a film image and a painting; low culture and high culture; the profane and the sacred. The pattern of placing one type of text (painting, literary, musical) against one from another time is familiar in Pasolini’s films. The films, taken as a whole are extended allegories in which a narrative and all it includes of objects, gestures and actions is equated with meanings outside the narrative.

Keywords:   narrative, likenesses, allegories

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