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Charlotte BrontëLegacies and Afterlives$
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Amber K. Regis and Deborah Wynne

Print publication date: 2017

Print ISBN-13: 9781784992460

Published to Manchester Scholarship Online: January 2018

DOI: 10.7228/manchester/9781784992460.001.0001

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PRINTED FROM MANCHESTER SCHOLARSHIP ONLINE (www.manchester.universitypressscholarship.com). (c) Copyright Manchester University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MSO for personal use.date: 05 August 2021

Jane Eyre’s transmedia lives

Jane Eyre’s transmedia lives

Chapter:
(p.241) 11 Jane Eyre’s transmedia lives
Source:
Charlotte Brontë
Author(s):

Monika Pietrzak-Franger

Publisher:
Manchester University Press
DOI:10.7228/manchester/9781784992460.003.0012

The ongoing interest in Jane Eyre and its various adaptations, appropriations, mash-ups and sequels are indicative of the fact that the story and the main character have loosened themselves from literary forms and have become transmedia phenomena. Taking into consideration the independent web series The Autobiography of Jane Eyre, and the media discussion it generated among online communities, this chapter argues that in contrast to popular screen adaptations of the novel, the web series disentangles the heroine from the romantic plot and re-positions her within a network of relationships that encourage her growth. In this way, the series bypasses gender critiques levelled at Charlotte Brontë’s text and the majority of its mainstream adaptations. The web series’ media format and exploration of authorship enables its viewers to treat it both as an adaptation and a fictional vlog, highlighting the complex ways in which this classic of Victorian literature continues to matter today.

Keywords:   Adaptation, Appropriation, Gender, Jane Eyre, The Autobiography of Jane Eyre, Transmedia, Vlog, Web series

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