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Ghost-Haunted LandContemporary Art and Post-Troubles Northern Ireland$
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Declan Long

Print publication date: 2017

Print ISBN-13: 9781784991449

Published to Manchester Scholarship Online: May 2018

DOI: 10.7228/manchester/9781784991449.001.0001

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PRINTED FROM MANCHESTER SCHOLARSHIP ONLINE (www.manchester.universitypressscholarship.com). (c) Copyright Manchester University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MSO for personal use.date: 21 April 2021

That which was: histories, documents, archives

That which was: histories, documents, archives

Chapter:
(p.124) 4 That which was: histories, documents, archives
Source:
Ghost-Haunted Land
Author(s):

Declan Long

Publisher:
Manchester University Press
DOI:10.7228/manchester/9781784991449.003.0005

Chapter four begins by further discussing the haunted spaces of Doherty’s practice as the starting point for a reflection on artists’ approaches to time and history. This part of the book highlights artists who have adapted conventional forms of documenting and archiving in order to speculate on alternative temporalities and histories of Troubles and post-Troubles life. In addition to analyses of artworks by artists such as Duncan Campbell (winner of the 2014 Turner Prize) and Miriam de Búrca, who both adapt documentary processes in an art context, attention is paid to art that studies the history of Belfast through psychogeographic urban wandering and to some curatorial attempts to historicise Northern Ireland’s art.

Keywords:   Time, history, archive, documentary, curating, psychogeography

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