Same difference: post-Troubles contexts and contradictions
Same difference: post-Troubles contexts and contradictions
Chapter one concentrates on the social and political developments pertinent to a study of post-Troubles art — asking what it means to talk in ‘post’ Troubles terms at all — and examines relevant contemporary art examples that offer distinctive, ambivalent perspectives on post-Troubles realities. Fundamental background details on the peace process and the Good Friday Agreement are combined with questions regarding the political and theoretical framing of this process of negotiation — keeping in mind the broader international contexts of a notional ‘post-Troubles’ situation. This widening of the frame (acknowledged globalisation as a factor in the peace process) is also vital in developing an adequate account of the art of this era, but diverse local outcomes of the Agreement are nonetheless acknowledged: from ongoing political problems caused by the ambiguities and inconsistencies of the Agreement itself, to material manifestations of ‘peace’ in architecture and the wider built environment of Belfast.
Keywords: Good Friday Agreement, post-Troubles, peace process, globalisation, Belfast, contemporary art, architecture
Manchester Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
Please, subscribe or login to access full text content.
If you think you should have access to this title, please contact your librarian.
To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.