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Solvent FormArt and destruction$
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Jared Pappas-Kelley

Print publication date: 2019

Print ISBN-13: 9781526129246

Published to Manchester Scholarship Online: May 2019

DOI: 10.7228/manchester/9781526129246.001.0001

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PRINTED FROM MANCHESTER SCHOLARSHIP ONLINE (www.manchester.universitypressscholarship.com). (c) Copyright Manchester University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MSO for personal use.date: 24 September 2021

Things lie

Things lie

Chapter:
(p.114) 5 Things lie
Source:
Solvent Form
Author(s):

Jared Pappas-Kelley

Publisher:
Manchester University Press
DOI:10.7228/manchester/9781526129246.003.0005

In Chapter five, art is examined through the image of a house ravaged by fire, put forth by Giorgio Agamben’s The Man without Content and in relation to the destructions of art explored previously and the Momart Fire specifically (perhaps here made literal). It also builds on examples such as Thomas Hirschhorn’s work Crystal of Resistance and its accompanying texts, in order to understand an operation in art that is made visible through these events. It additionally returns to ideas from Tom McCarthy’s Remainder as well as Thomas Mann’s The Magic Mountain. Through these examples and events, one might begin to understand something more of art. In attempting to represent an affinity—to coax or draw it out—the text forms a portrait of sorts (in the Jean-Luc Nancy sense), and through it we might begin to see something that has disappeared through an operation of art.

Keywords:   Thomas Hirschhorn, Crystal of Resistance, The Magic Mountain, Giorgio Agamben, Remainder

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