‘Deserve’s got [everything] to do with it’: property, process, and justice in Unforgiven
‘Deserve’s got [everything] to do with it’: property, process, and justice in Unforgiven
This chapter presents a reading of Unforgiven (1992), situating this film within a paradigmatic shift in the extension of due process protections for minorities, and the transformation of American self-defense doctrine brought about through a focus on battered women.
Keywords: Due process, Justifiable homicide, Battered women, Race, Gender, Gun violence, Western films and television
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