Jump to ContentJump to Main Navigation
CuratopiaMuseums and the future of curatorship$
Users without a subscription are not able to see the full content.

Philipp Schorch and Conal McCarthy

Print publication date: 2019

Print ISBN-13: 9781526118196

Published to Manchester Scholarship Online: May 2019

DOI: 10.7228/manchester/9781526118196.001.0001

Show Summary Details
Page of

PRINTED FROM MANCHESTER SCHOLARSHIP ONLINE (www.manchester.universitypressscholarship.com). (c) Copyright Manchester University Press, 2022. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MSO for personal use.date: 25 June 2022

The times of the curator

The times of the curator

(p.109) 7 The times of the curator

James Clifford

Manchester University Press

The museum is an inventive, globally and locally translated form, no longer anchored to its modern origins in Europe. Contemporary curatorial work, in these excessive times of decolonisation and globalisation, by engaging with discrepant temporalities—not resisting, or homogenising, their inescapable friction—has the potential to open up common-sense, ‘given’ histories. It does so under serious constraints—a push and pull of material forces and ideological legacies it cannot evade. This chapter explores the ‘times’ of the curator, both in terms of these times we live in, in which curatorial theory and practice seems to be ever-present, and a sense of the curator’s task as enmeshed in multiple, overlapping, sometimes conflicting times. It is concerned primarily with the later, the discrepant temporalities, or perhaps that should be ‘histories’, or even ‘futures’, that are integral to the task of the curator today. In contrast to the history of museum curating, curatorial work in recent years has been transformed by the re-emergence of indigenous cultures in former settler colonies which suggest the de-centering of the west. Drawing on research in the USA, Canada and the Pacific Islands, and analysing several diverse case studies and examples, the chapter explores examples of ‘indigenous curating’, that is to say, working with things and relations in transforming times. In doing so, it contributes to a world-wide debate, which this book is part of, about museums and the future of curatorship.

Keywords:   Museum, Curatorial theory and practice, Histories, Temporalities, Indigenous curating

Manchester Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.

Please, subscribe or login to access full text content.

If you think you should have access to this title, please contact your librarian.

To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.