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The challenge of the sublimeFrom Burke's Philosophical Enquiry to British Romantic art$
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Hélène Ibata

Print publication date: 2018

Print ISBN-13: 9781526117397

Published to Manchester Scholarship Online: September 2018

DOI: 10.7228/manchester/9781526117397.001.0001

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PRINTED FROM MANCHESTER SCHOLARSHIP ONLINE (www.manchester.universitypressscholarship.com). (c) Copyright Manchester University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MSO for personal use.date: 28 July 2021

Introduction

Introduction

Chapter:
(p.1) Introduction
Source:
The challenge of the sublime
Author(s):

Hélène Ibata

Publisher:
Manchester University Press
DOI:10.7228/manchester/9781526117397.003.0001

In the decades that followed the creation of the Royal Academy of Arts in 1768, the sister arts tradition appeared to be as alive as it had been at the beginning of the century. The literary aspirations of British visual artists were nurtured by academic precepts which claimed that by rivalling and adapting the best poetic work, painters would assert their art’s intellectual value and prove that it was a ‘liberal’ occupation, rather than a ‘mechanical’ trade. While the Royal Academy promoted ‘history painting’ and the emulation of epic poetry as the best demonstration of the mental skills employed in painting, a new generation of visual artists sought inspiration in the most exalting and tumultuous productions of the British literary genius, and found in Shakespeare, Milton or Macpherson’s ...

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