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Queer exceptionsSolo performance in neoliberal times$
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Stephen Greer

Print publication date: 2019

Print ISBN-13: 9781526113696

Published to Manchester Scholarship Online: May 2019

DOI: 10.7228/manchester/9781526113696.001.0001

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PRINTED FROM MANCHESTER SCHOLARSHIP ONLINE (www.manchester.universitypressscholarship.com). (c) Copyright Manchester University Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MSO for personal use.date: 24 August 2019

The stranger: performing ‘out-of-placeness’ in the UK and Europe

The stranger: performing ‘out-of-placeness’ in the UK and Europe

Chapter:
(p.132) 5 The stranger: performing ‘out-of-placeness’ in the UK and Europe
Source:
Queer exceptions
Author(s):

Stephen Greer

Publisher:
Manchester University Press
DOI:10.7228/manchester/9781526113696.003.0005

Building on scholarship concerning migration and exile, this chapter deploys the figure of the stranger in reading solo works in and around the border regimes of the UK and EU. If – as Sara Ahmed suggests – stranger recognition involves (often unmarked) assumptions about which bodies belong and which are out of place, performance interventions in and around border regimes bring such beliefs to light while demonstrating how misrecognition and uncertainty are preserved as technologies of control. Though associated with cosmopolitan fantasies of mobility and hospitality, the stranger allows us to follow how a selective distribution of legitimacy serves to limit access to western Europe’s territories of wealth. Featured practitioners: Kay Adshead, Zodwa Nyoni, Oreet Ashery, Nassim Soleimanpour, Tanja Ostojić.

Keywords:   Migration, borders, Asylum-seekers, Verbatim theatre, Strangers, Europe Union, Yugoslavia, Iran

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