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Image OperationsVisual media and political conflict$
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Jens Eder and Charlotte Klonk

Print publication date: 2016

Print ISBN-13: 9781526107213

Published to Manchester Scholarship Online: May 2017

DOI: 10.7228/manchester/9781526107213.001.0001

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PRINTED FROM MANCHESTER SCHOLARSHIP ONLINE (www.manchester.universitypressscholarship.com). (c) Copyright Manchester University Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MSO for personal use.date: 12 November 2019

Worldmaking frame by frame

Worldmaking frame by frame

Chapter:
(p.37) 2 Worldmaking frame by frame
Source:
Image Operations
Author(s):

Zeynep Devrim Gürsel

Publisher:
Manchester University Press
DOI:10.7228/manchester/9781526107213.003.0003

This chapter addresses the relationship between imagemaking and worldmaking, or how assumed conflict shapes the production and circulation of news images which then in turn contribute to what political possibilities seem plausible. Specifically the chapter looks at worldmaking at two sites: the newsroom of a major US news publication and a World Press Photo seminar intended to develop democracy by way of photojournalism. At both sites presumed binaries shape processes of worldmaking frame by frame. Balancing such aesthetic conflict comes to stand in for journalistic objectivity. The professional brokering of news images involves simultaneous processes of producing representations and reproducing worldviews. Understanding these processes is key to understanding global infrastructures of worldmaking with its production of certain categories of people and possibilities for certain kinds of visibility and not others. In the end, better scholarship on how images both represent and produce political conflict may require that we look beyond images of conflict itself.

Keywords:   Professional image brokers, News images, Worldmaking, Aesthetic conflict, World Press Photo

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