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Performing womenGender, self, and representation in late-medieval Metz$
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Susannah Crowder

Print publication date: 2018

Print ISBN-13: 9781526106407

Published to Manchester Scholarship Online: May 2019

DOI: 10.7228/manchester/9781526106407.001.0001

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PRINTED FROM MANCHESTER SCHOLARSHIP ONLINE (www.manchester.universitypressscholarship.com). (c) Copyright Manchester University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MSO for personal use.date: 01 August 2021

Conclusion

Conclusion

Chapter:
(p.221) Conclusion
Source:
Performing women
Author(s):

Susannah Crowder

Publisher:
Manchester University Press
DOI:10.7228/manchester/9781526106407.003.0007

Although the Catherines and Claude slowly passed from memory, their performances and those of the women around them continued to represent their interests. The book concludes with an integrated portrait of women’s performance in fifteenth-century Metz that emphasises four significant themes: the production of history, collaboration, material and bodily practice, and continuity. The discussion traces interactions among the actions of the Catherines and Claude and explores the echoes of their practices over time. From a Pucelle character in the fifteenth-century Mystère de Saint Clément de Metz to a modern depiction of Joan of Arc at the church of St-Martin, female performance remained relevant to local constructions of identity and history. The section closes by suggesting that Performing women, having transformed female performance from “rare” to representative within Metz, offers a model for discovering the hidden histories of other urban centers and regions.

Keywords:   female performers, production of history, collaboration, material practice, bodily practice, historical continuity, Mystère de Saint Clément de Metz, Joan of Arc, St-Martin, Metz, Claude d’Armoises, Catherine Gronnaix, Catherine Baudoche

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