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- Title Pages
- Contributors
- Abbreviations
- Byron in Italy: a chronology
- Introduction: ‘Un paese tutto poetico’ – Byron in Italy, Italy in Byron
-
1 The literature of Italy in Byron’s poems of 1817–20 -
2 Byron’s ethnographic eye: the poet among the Italians -
3 From Lord Nelvil to Dugald Dalgetty: Byron’s Scottish identity in Italy -
4 The garden of the world: Byron and the geography of Italy -
5 ‘Something I have seen or think it possible to see’: Byron and Italian art in Ravenna -
6 ‘Something sensible to grasp at’: Byron and Italian Catholicism -
7 The politics of the unities: tragedy and the Risorgimento in Byron and Manzoni -
8 Parisina, Mazeppa and Anglo-Italian displacement -
9 This ‘still exhaustless mine’: de Staël, Goethe and Byron’s Roman lyricism -
10 Playing with history: Byron’s Italian dramas -
11 ‘Where shall I turn me?’: Italy and irony in Beppo and Don Juan - Select bibliography
- Index
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- Title Pages
- Contributors
- Abbreviations
- Byron in Italy: a chronology
- Introduction: ‘Un paese tutto poetico’ – Byron in Italy, Italy in Byron
-
1 The literature of Italy in Byron’s poems of 1817–20 -
2 Byron’s ethnographic eye: the poet among the Italians -
3 From Lord Nelvil to Dugald Dalgetty: Byron’s Scottish identity in Italy -
4 The garden of the world: Byron and the geography of Italy -
5 ‘Something I have seen or think it possible to see’: Byron and Italian art in Ravenna -
6 ‘Something sensible to grasp at’: Byron and Italian Catholicism -
7 The politics of the unities: tragedy and the Risorgimento in Byron and Manzoni -
8 Parisina, Mazeppa and Anglo-Italian displacement -
9 This ‘still exhaustless mine’: de Staël, Goethe and Byron’s Roman lyricism -
10 Playing with history: Byron’s Italian dramas -
11 ‘Where shall I turn me?’: Italy and irony in Beppo and Don Juan - Select bibliography
- Index
