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Byron and Italy$
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Alan Rawes and Diego Saglia

Print publication date: 2018

Print ISBN-13: 9781526100559

Published to Manchester Scholarship Online: September 2018

DOI: 10.7228/manchester/9781526100559.001.0001

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PRINTED FROM MANCHESTER SCHOLARSHIP ONLINE (www.manchester.universitypressscholarship.com). (c) Copyright Manchester University Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MSO for personal use.date: 14 October 2019

‘Something sensible to grasp at’: Byron and Italian Catholicism

‘Something sensible to grasp at’: Byron and Italian Catholicism

Chapter:
(p.112) 6 ‘Something sensible to grasp at’: Byron and Italian Catholicism
Source:
Byron and Italy
Author(s):

Bernard Beatty

Publisher:
Manchester University Press
DOI:10.7228/manchester/9781526100559.003.0007

This chapter documents the evolution of Byron’s personal and poetic relationship with Catholicism from what was presumably his first real encounter with it at Newstead Abbey in 1798 through to the final cantos of Don Juan and the figure of Aurora Raby. Detailing and exploring Byron’s experience of Italian friars, priests, cardinal legates, a pope and, most importantly, Italian Catholic women, the chapter suggests that, in Catholic Italy, spiritually, Byron found ‘something sensible to grasp at’. Ranging across Byron’s poetic career, the chapter sees the poet begin as a John Knox in response to Catholicism but progressively become not only a thinker of theological precision but also a ‘sympathetic outsider’ and, indeed, even an insider to Italian Catholic experience.

Keywords:   Catholic culture, Catholic belief, Theology, Faith, Protestantism, Catholic sacraments, Catholic femininity

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