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The existential drinker$
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Steven Earnshaw

Print publication date: 2018

Print ISBN-13: 9780719099618

Published to Manchester Scholarship Online: May 2019

DOI: 10.7228/manchester/9780719099618.001.0001

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Hans Fallada, The Drinker (1950): absurdity

Hans Fallada, The Drinker (1950): absurdity

Chapter:
(p.136) 6 Hans Fallada, The Drinker (1950): absurdity
Source:
The existential drinker
Author(s):

Steven Earnshaw

Publisher:
Manchester University Press
DOI:10.7228/manchester/9780719099618.003.0007

This chapter places a lesser-known text into the Existential drinker canon. Written whilst in a Nazi criminal asylum by the once highly popular author Hans Fallada, the protagonist Erwin Sommer takes to drinking for reasons which never seem to fully explain his course of self-destructive behaviour. While not given to much overt philosophical contemplation The Drinker does nevertheless have many characteristics of the Existential drinker text, in particular its expression of absurdity, the belief that we find ourselves born into a world not of our making and which has no intrinsic meaning or purpose. The novel indicates that being a good citizen – the good businessman, the good husband – is meant to provide Sommer with a reason for living, but ultimately these appear futile and Sommer remains alienated. The chapter places the novel in its historical context, with some consideration given to how we might interpret it with its semi-autobiographical origins and knowing the circumstances of its creation.

Keywords:   Hans Fallada, The Drinker, absurdity, alienation, modernity, capitalism

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