Jump to ContentJump to Main Navigation
The British monarchy on screen$
Users without a subscription are not able to see the full content.

Mandy Merck

Print publication date: 2016

Print ISBN-13: 9780719099564

Published to Manchester Scholarship Online: September 2016

DOI: 10.7228/manchester/9780719099564.001.0001

Show Summary Details
Page of

PRINTED FROM MANCHESTER SCHOLARSHIP ONLINE (www.manchester.universitypressscholarship.com). (c) Copyright Manchester University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MSO for personal use.date: 25 July 2021

The heart of a heartless political world: screening Victoria

The heart of a heartless political world: screening Victoria

Chapter:
(p.64) 3 The heart of a heartless political world: screening Victoria
Source:
The British monarchy on screen
Author(s):

Steven Fielding

Publisher:
Manchester University Press
DOI:10.7228/manchester/9780719099564.003.0004

Queen Victoria has been depicted on the screen on over a hundred occasions, by some of our leading actors. Her film depictions, while ostensibly about history, may also help to “reorganise the present”, in Pierre Sorlin’s description. This chapter will assess the changing–and not so changing–ways in which Victoria has been represented on the screen. Victoria the Great (1937) and (the second version of) Sixty Glorious Years (1938) show the Queen as embodying the imperial consensus of the time. Yet those made after the outbreak of the People’s War–such as The Prime Minister (1941) and The Mudlark (1950)– present the monarch as more concerned with her people’s economic welfare, as the social democratic consensus emerges. Recent examples have pushed politics into the background and focused on Victoria’s emotional life–as in Mrs. Brown (1997) and The Young Victoria (2009). Such works present the Queen as a victim ofbi1ih, tradition, politicians and popular expectations–and explore the personal tensions inherent in being the national figurehead. Yet, while increasingly portraying the personal dilemmas of a monarch caught within an unforgiving institution, these films also stress the central importance of the monarchy to the nation. Such dramatic licence might annoy historians, but it suggests a vigorous faith in a monarchy that allegedly transcends petty party politics and enjoys direct communion with the people. As such, film representations of Victoria bolster the continuing popularity of an inherently undemocratic institution.

Keywords:   Queen Victoria, Victoria the Great, Sixty Glorious Years, The Prime Minister, The Mudlark, Mrs. Brown, The Young Victoria

Manchester Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.

Please, subscribe or login to access full text content.

If you think you should have access to this title, please contact your librarian.

To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.