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Aspects of knowledgePreserving and reinventing traditions of learning in the Middle Ages$
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Marilina Cesario and Hugh Magennis

Print publication date: 2018

Print ISBN-13: 9780719097843

Published to Manchester Scholarship Online: January 2019

DOI: 10.7228/manchester/9780719097843.001.0001

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The Cambridge Songs as anthology of musical knowledge

The Cambridge Songs as anthology of musical knowledge

Chapter:
(p.79) 3 The Cambridge Songs as anthology of musical knowledge
Source:
Aspects of knowledge
Author(s):

Ann Buckley

Publisher:
Manchester University Press
DOI:10.7228/manchester/9780719097843.003.0004

Here Ann Buckley presents an appraisal of the collection known as ‘The Cambridge Songs’, found in a mid-eleventh-century English manuscript but derived from a German source which also included material from the international clerical court culture of the period. Buckley suggests that the collection can be viewed as an example of an ‘anthology of musical knowledge’, which informs on genres, techniques, performance practice and the types of repertory that would have been usual in the eleventh century among learned audiences. The chapter focuses firstly on the collection’s song texts as a source of information on musical knowledge and musical practice in German court culture of the eleventh century but takes account too of the wider European clerical and intellectual framework, interrogating the raison d’être of such a collection in the context of anthologies of knowledge of the time.

Keywords:   Music, Anthology, Practice, Audience

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