- Title Pages
- Notes on contributors
- Introduction: a dialogue on influence
- 1 Abjuring innocence: Hollinghurst’s poetry
- 2 The touch of reading in Hollinghurst’s early prose
- 3 Poetry, parody, porn and prose
- 4 Race, empire and <i>The Swimming-Pool Library</i>
- 5 <i>The Stranger’s Child</i> and <i>The Aspern Papers</i>: queering origin stories and questioning the visitable past
- 6 Ostentatiously discreet: bisexual camp in <i>The Stranger’s Child</i>
- 7 Hollow auguries: eccentric genealogies in <i>The Folding Star</i> and <i>The Spell</i>
- 8 Some properties of fiction: value and fantasy in Hollinghurst’s house of fiction
- 9 Cinema in the library
- 10 Using Racine in 1990; or, translating theatre in time
- 11 ‘Who are you? What the fuck are you doing here?’: queer debates and contemporary connections
- 12 What can I say?: secrets in fiction and biography
- Alan Hollinghurst
- Manchester University Press
Manchester Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
If you think you should have access to this title, please contact your librarian.
To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.