Show Summary Details
- Title Pages
- Figures
- Notes on contributors
- Abbreviations
- Introduction: a dialogue on influence
-
1 Abjuring innocence: Hollinghurst’s poetry -
2 The touch of reading in Hollinghurst’s early prose -
3 Poetry, parody, porn and prose -
4 Race, empire and The Swimming-Pool Library -
5 The Stranger’s Child and The Aspern Papers: queering origin stories and questioning the visitable past -
6 Ostentatiously discreet: bisexual camp in The Stranger’s Child -
7 Hollow auguries: eccentric genealogies in The Folding Star and The Spell -
8 Some properties of fiction: value and fantasy in Hollinghurst’s house of fiction -
9 Cinema in the library -
10 Using Racine in 1990; or, translating theatre in time -
11 ‘Who are you? What the fuck are you doing here?’: queer debates and contemporary connections -
12 What can I say?: secrets in fiction and biography - Index
(p.viii) Notes on contributors
(p.viii) Notes on contributors
- Source:
- Alan Hollinghurst
- Publisher:
- Manchester University Press
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- Title Pages
- Figures
- Notes on contributors
- Abbreviations
- Introduction: a dialogue on influence
-
1 Abjuring innocence: Hollinghurst’s poetry -
2 The touch of reading in Hollinghurst’s early prose -
3 Poetry, parody, porn and prose -
4 Race, empire and The Swimming-Pool Library -
5 The Stranger’s Child and The Aspern Papers: queering origin stories and questioning the visitable past -
6 Ostentatiously discreet: bisexual camp in The Stranger’s Child -
7 Hollow auguries: eccentric genealogies in The Folding Star and The Spell -
8 Some properties of fiction: value and fantasy in Hollinghurst’s house of fiction -
9 Cinema in the library -
10 Using Racine in 1990; or, translating theatre in time -
11 ‘Who are you? What the fuck are you doing here?’: queer debates and contemporary connections -
12 What can I say?: secrets in fiction and biography - Index
