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Alan HollinghurstWriting Under the Influence$
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Michèle Mendelssohn and Denis Flannery

Print publication date: 2016

Print ISBN-13: 9780719097171

Published to Manchester Scholarship Online: January 2017

DOI: 10.7228/manchester/9780719097171.001.0001

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Cinema in the library

Cinema in the library

Chapter:
(p.141) 9 Cinema in the library
Source:
Alan Hollinghurst
Author(s):

Alan O’Leary

Publisher:
Manchester University Press
DOI:10.7228/manchester/9780719097171.003.0010

This chapter analyses the presence of the cinema in Hollinghurst’s The Swimming-Pool Library. It argues that cinema does not have a consistent role in the novel as motif or metaphor but functions instead an element of excess. As such it functions like history in what is a historical novel of gay life, the history that will exceed and foreclose the story’s suspended temporalities. History is the Other to the novel’s enchanted summer, ‘the last summer of its kind there was ever to be’. History is also HIV, ready to spread its appalling blossom through the Utopia of sex beyond book and summer’s end. Like this history, the cinema in The Swimming-Pool Library must be held at bay: it resists integration into the middlebrow poise of the novel and the unruffleable surface of its realist prose.

Keywords:   Excess, Cinema, History, Middlebrow, HIV, Temporalities, Alan Hollinghurst

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