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Cultures of DecolonisationTransnational productions and practices, 1945-70$
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Ruth Craggs and Claire Wintle

Print publication date: 2016

Print ISBN-13: 9780719096525

Published to Manchester Scholarship Online: May 2016

DOI: 10.7228/manchester/9780719096525.001.0001

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Managing the cultural past in the newly independent states of Mali and Ghana

Managing the cultural past in the newly independent states of Mali and Ghana

Chapter:
(p.177) Chapter Eight Managing the cultural past in the newly independent states of Mali and Ghana
Source:
Cultures of Decolonisation
Author(s):

Sophie Mew

Publisher:
Manchester University Press
DOI:10.7228/manchester/9780719096525.003.0008

This chapter uses the oral history narratives of six post-war British migrants to southern Africa to analyse the impact of decolonisation on individuals. With attention to performances of identity such as accent, interior design and leisure, it traces shifts in the ways these migrants positioned themselves and made sense of political changes such as the 1961 South African declaration of Republic, the 1965 Rhodesian Unilateral Declaration of Independence and the onset of majority rule in Zimbabwe in 1980 and South Africa in 1994. Nostalgia, especially for the southern African landscape and wildlife, was a common theme in these accounts, one that provided a way to discuss the loss of settler cultures without reference to race or politics. The chapter highlights the dislocation experienced by these migrants as a result of decolonisation, and demonstrates the value of oral history evidence to understanding the distinct cultures of decolonisation.

Keywords:   Migration, South Africa, Rhodesia, Performance, Identity, Settler, Oral History, Decolonisation, Interior Design

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