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Cultures of DecolonisationTransnational productions and practices, 1945-70$
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Ruth Craggs and Claire Wintle

Print publication date: 2016

Print ISBN-13: 9780719096525

Published to Manchester Scholarship Online: May 2016

DOI: 10.7228/manchester/9780719096525.001.0001

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‘I still don’t have a country’

‘I still don’t have a country’

The southern African settler diaspora after decolonization

Chapter:
(p.156) Chapter Seven ‘I still don’t have a country’
Source:
Cultures of Decolonisation
Author(s):

Jean Smith

Publisher:
Manchester University Press
DOI:10.7228/manchester/9780719096525.003.0007

Focusing on the national museums of Ghana and Mali, this chapter examines the ways in which cultural heritage was dealt with in these institutions, alongside the modernisation projects of these emerging nation states. The National Museum of Ghana occupied a complex conceptual space in the years preceding and following independence. By displaying material culture from across the nation, the museum participated in Ghana’s ongoing nation building. However, it also had a duty to avoid presenting the diversity of cultures in a divisive way to accord with Nkrumahist efforts to promote national unity as well as Pan-Africanism. In contrast, The National Museum of Mali suffered during the decolonisation era and was not recognised as a public space for displaying cultural heritage. For young Malians, the processes of transmitting cultural values from the state to the citizens were more successfully achieved by the hugely popular annual events (les semaines de la jeunesse) launched by the ‘pioneers’ in 1960 than by their own museums.

Keywords:   National museums, Youth festivals, Cultural heritage, Material culture, Display, Nation building, Decolonisation

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