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Cultures of DecolonisationTransnational productions and practices, 1945-70$
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Ruth Craggs and Claire Wintle

Print publication date: 2016

Print ISBN-13: 9780719096525

Published to Manchester Scholarship Online: May 2016

DOI: 10.7228/manchester/9780719096525.001.0001

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Henry Swanzy, Sartre’s zombie?

Henry Swanzy, Sartre’s zombie?

Black Power and the transformation of the Caribbean Artists Movement

Chapter:
(p.67) Chapter Three Henry Swanzy, Sartre’s zombie?
Source:
Cultures of Decolonisation
Author(s):

Rob Waters

Publisher:
Manchester University Press
DOI:10.7228/manchester/9780719096525.003.0003

The rise of Black Power in the black Atlantic world of the late 1960s transformed the cultural politics of decolonisation in Britain and the Caribbean. In the injunction to ‘think black’ was a demand to re-orientate and to understand differently the social relations of artistic production in a decolonising culture. The legacy of this period still partly determines the parameters of postcolonial and black cultural studies today. This chapter explores this transition through the Caribbean Artists Movement, an artists’ group whose existence spanned the rupture between this secondary politics of decolonisation and early anti-colonial artistic practices.

Keywords:   Black Power, Black Studies, Caribbean, Cultural Studies, Decolonisation, Transnationalism, Literature, Artists’ Groups

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