Show Summary Details
- Title Pages
- Figures
- Contributors
- Foreword
- Acknowledgements
-
1 ‘What is to become of the Crystal Palace?’ The Crystal Palace after 1851 -
2 ‘A present from the Crystal Palace’: Souvenirs of Sydenham, miniature views and material memory -
3 The cosmopolitan world of Victorian portraiture: the Crystal Palace portrait gallery, c.1854 -
4 The armless artist and the lightning cartoonist: performing popular culture at the Crystal Palace c.1900 -
5 ‘[M]anly beauty and muscular strength’: sculpture, sport and the nation at the Crystal Palace, 1854–1918 -
6 From Ajanta to Sydenham: ‘Indian’ art at the Sydenham Palace -
7 Peculiar pleasure in the ruined Crystal Palace -
8 Dinosaurs Don’t Die: the Crystal Palace monsters in children’s literature, 1854–2001 -
9 ‘A copy – or rather a translation … with numerous sparkling emendations.’ Re-rebuilding the Pompeian Court of the Crystal Palace - Index
(p.vii) Figures
(p.vii) Figures
- Source:
- After 1851
- Author(s):
- Kate Nichols, Sarah Victoria Turner
- Publisher:
- Manchester University Press
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- Title Pages
- Figures
- Contributors
- Foreword
- Acknowledgements
-
1 ‘What is to become of the Crystal Palace?’ The Crystal Palace after 1851 -
2 ‘A present from the Crystal Palace’: Souvenirs of Sydenham, miniature views and material memory -
3 The cosmopolitan world of Victorian portraiture: the Crystal Palace portrait gallery, c.1854 -
4 The armless artist and the lightning cartoonist: performing popular culture at the Crystal Palace c.1900 -
5 ‘[M]anly beauty and muscular strength’: sculpture, sport and the nation at the Crystal Palace, 1854–1918 -
6 From Ajanta to Sydenham: ‘Indian’ art at the Sydenham Palace -
7 Peculiar pleasure in the ruined Crystal Palace -
8 Dinosaurs Don’t Die: the Crystal Palace monsters in children’s literature, 1854–2001 -
9 ‘A copy – or rather a translation … with numerous sparkling emendations.’ Re-rebuilding the Pompeian Court of the Crystal Palace - Index