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After 1851The Material and Visual Cultures of the Crystal Palace at Sydenham$
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Kate Nichols and Sarah Victoria Turner

Print publication date: 2017

Print ISBN-13: 9780719096495

Published to Manchester Scholarship Online: September 2017

DOI: 10.7228/manchester/9780719096495.001.0001

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PRINTED FROM MANCHESTER SCHOLARSHIP ONLINE (www.manchester.universitypressscholarship.com). (c) Copyright Manchester University Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MSO for personal use.date: 22 October 2019

‘What is to become of the Crystal Palace?’ The Crystal Palace after 1851

‘What is to become of the Crystal Palace?’ The Crystal Palace after 1851

Chapter:
(p.1) 1 ‘What is to become of the Crystal Palace?’ The Crystal Palace after 1851
Source:
After 1851
Author(s):

Kate Nichols

Sarah Victoria Turner

Publisher:
Manchester University Press
DOI:10.7228/manchester/9780719096495.003.0001

This introductory chapter explores and establishes the Sydenham Crystal Palace in relation to existing scholarship on the Great Exhibition of 1851. The Sydenham Palace combined education, entertainment and commerce, and spans both nineteenth and twentieth centuries. We resituate it as an important location within the London art world and establish the broader connections it had with rival ventures such as the South Kensington Museum and the numerous international exhibitions in the period. We set out the new possibilities for the analysis of both nineteenth- and twentieth-century visual and material cultures opened up by this unique venue, problematising the periodisation of art works and attitudes into discretely ‘Victorian’ and ‘Edwardian’ categories.

Keywords:   Sydenham Crystal Palace, The Great Exhibition, Exhibition cultures, Material culture, Victorian, Edwardian, Education, Entertainment, Commerce, Nation

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