Jump to ContentJump to Main Navigation
"Politics, performance and popular culture"Theatre and society in nineteenth-century Britain$
Users without a subscription are not able to see the full content.

Peter Yeandle, Katherine Newey, and Jeffrey Richards

Print publication date: 2016

Print ISBN-13: 9780719091698

Published to Manchester Scholarship Online: September 2016

DOI: 10.7228/manchester/9780719091698.001.0001

Show Summary Details
Page of

PRINTED FROM MANCHESTER SCHOLARSHIP ONLINE (www.manchester.universitypressscholarship.com). (c) Copyright Manchester University Press, 2022. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MSO for personal use.date: 01 July 2022

‘Executed with remarkable care and artistic feeling’: popular imperialism and the music hall ballet

‘Executed with remarkable care and artistic feeling’: popular imperialism and the music hall ballet

Chapter:
(p.152) 8 ‘Executed with remarkable care and artistic feeling’: popular imperialism and the music hall ballet
Source:
"Politics, performance and popular culture"
Author(s):

Jane Pritchard

Peter Yeandle

Publisher:
Manchester University Press
DOI:10.7228/manchester/9780719091698.003.0009

This chapter looks at the development of ballet in the second half of the nineteenth century and the way in which at outer London music halls it became increasingly topical in its subject matter during the period 1870-1884. Many of the references related to the changing political conditions of the day, but the references to situations served more to reassure the audiences than to criticise policy makers. There was always an element of fantasy and escapism about the productions but they also introduced audiences to places of which they may have had little knowledge. London’s dance history, away from the opera houses and the two Leicester Square theatres, is very poorly documented. Ballet in the nineteenth century takes many guises and many dance historians dismiss the post-Romantic period in British theatre as it focused on popular entertainment. Because the available information is so patchy the picture becomes distorted. This chapter starts to investigate just what was music hall ballet and why did it appeal so strongly to its audience.

Keywords:   Ballet, music hall, topical referencing, imperialism, popular entertainment

Manchester Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.

Please, subscribe or login to access full text content.

If you think you should have access to this title, please contact your librarian.

To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.