Jump to ContentJump to Main Navigation
From prosperity to austerityA socio-cultural critique of the Celtic Tiger and its aftermath$
Users without a subscription are not able to see the full content.

Eamon Maher and Eugene O'Brien

Print publication date: 2014

Print ISBN-13: 9780719091674

Published to Manchester Scholarship Online: January 2015

DOI: 10.7228/manchester/9780719091674.001.0001

Show Summary Details
Page of

PRINTED FROM MANCHESTER SCHOLARSHIP ONLINE (www.manchester.universitypressscholarship.com). (c) Copyright Manchester University Press, 2022. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MSO for personal use.date: 01 July 2022

Contemporary irish fiction and the indirect gaze

Contemporary irish fiction and the indirect gaze

Chapter:
(p.174) 12 Contemporary irish fiction and the indirect gaze
Source:
From prosperity to austerity
Author(s):

Neil Murphy

Publisher:
Manchester University Press
DOI:10.7228/manchester/9780719091674.003.0013

Neil Murphy, comparing contemporary writers with Joyce, Beckett and Flann O'Brien, notes the complex and nuanced relationship between these texts and their cultural contexts. The ‘Celtic Tiger’ period, a moment of the most dramatic impact in recent Irish history, offers an opportunity to consider the nature of the possible relationship between literary fiction and its social and political contexts. Joyce's legendarily disinterested attitude towards World War 1, and his largely disengaged response to the revolutionary upheavals in Ireland between 1916 and 1923, are artistically revealing, particularly since the timeframe of the composition of Ulysses coincides with these historically cataclysmic years in European history. In a direct and antagonistic gesture towards referential writing, In this chapter, Murphy, through close readings of the works of John Banville and Dermot Healy, as well as consideration of Sebastian Barry and Anne Enright, suggests that while they may appear to gaze backwards in time, or into the depths of highly personalized ontological questions, or at the conundrums of artistic form, if one tilts the glass just a little it may be that the reflected image offers us a few useful glimpses of the Celtic Tiger years after all, but by potent, indirect vision

Keywords:   John Banville, Sebastian Barry, Samuel Beckett, Anne Enright, Dermot Healy, indirect gaze, James Joyce, Flann O'Brien, Ulysses, World War I

Manchester Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.

Please, subscribe or login to access full text content.

If you think you should have access to this title, please contact your librarian.

To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.