- Title Pages
- Introduction: approaching British rural landscapes on film
1Silent landscapes: rural settings, national identity and British silent cinema
2British landscapes in pre-Second World War film publicity
3Rural imagery in Second World War British cinema
4‘An unlimited field for experiment’: Britain’s stereoscopic landscapes
5The figure (and disfigurement) in the landscape: The Go-Between’s picturesque
6‘Here is Wales, there England’: contested borders and blurred boundaries in On the Black Hill
7Where the land meets the sea: liminality, identity and rural landscape in contemporary Scottish cinema
8Fantasy, fallacy and allusion: reconceptualising British landscapes through the lens of children’s cinema
9Picturesque, pastoral and dirty: uncivilised topographies in Jane Eyre and Wuthering Heights
10Folk horror and the contemporary cult of British rural landscape: the case of Blood on Satan’s Claw
11sleep furiously: interview with Gideon Koppel
12Film and the repossession of rural space: interview with Patrick Keiller
- British Rural Landscapes on Film
- Manchester University Press
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