Jump to ContentJump to Main Navigation
Monstrous media/spectral subjectsImaging gothic fictions from the nineteenth century to the present$
Users without a subscription are not able to see the full content.

Fred Botting and Catherine Spooner

Print publication date: 2015

Print ISBN-13: 9780719089770

Published to Manchester Scholarship Online: January 2016

DOI: 10.7228/manchester/9780719089770.001.0001

Show Summary Details
Page of

PRINTED FROM MANCHESTER SCHOLARSHIP ONLINE (www.manchester.universitypressscholarship.com). (c) Copyright Manchester University Press, 2022. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MSO for personal use.date: 04 July 2022

‘Nineteenth century (up-to-date) with a vengeance’

‘Nineteenth century (up-to-date) with a vengeance’

vampirism, Victorianism and collage in Guy Maddin’s Dracula – Pages from a Virgin’s Diary

(p.103) 8 ‘Nineteenth century (up-to-date) with a vengeance’
Monstrous media/spectral subjects

Dorothea Schuller

Manchester University Press

This chapter discusses one of the most recent and – despite the absence of dialogue and anything resembling realistic acting – most faithful adaptations of Bram Stoker's Dracula (1897), Guy Maddin's 2002 film of the Royal Winnipeg Ballet's dance adaptation, set to the music of Gustav Mahler, Dracula – Pages from a Virgin's Diary. Maddin's ‘Victorian’ interpretation of Dracula is marked by an emphasis on the turn-of-the-century cultural contexts of the novel (gender, medicine, race, imperialism). The film presents 1890s England as seen through the eyes of a knowledgeable 21st century viewer whose close reading of the source text is shaped by critical discussions of the novel and the Dracula myth in popular culture. Vampirizing various cultural artifacts from Caligari to Coppola, Maddin's palimpsestic film ultimately manages to be both highly original and collage, both – in the words of Jonathan Harker's diary – ‘up-to-date’ and ‘nineteenth century […] with a vengeance’.

Keywords:   Bram Stoker, Dracula, Guy Maddin, Dracula – Pages From a Virgin's Diary, Dance, Ballet, Gender, Imperialism

Manchester Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.

Please, subscribe or login to access full text content.

If you think you should have access to this title, please contact your librarian.

To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.