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She-wolfA cultural history of female werewolves$
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Hannah Priest

Print publication date: 2015

Print ISBN-13: 9780719089343

Published to Manchester Scholarship Online: January 2016

DOI: 10.7228/manchester/9780719089343.001.0001

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PRINTED FROM MANCHESTER SCHOLARSHIP ONLINE (www.manchester.universitypressscholarship.com). (c) Copyright Manchester University Press, 2022. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MSO for personal use.date: 28 June 2022

Dans Ma Peau

Dans Ma Peau

shape-shifting and subjectivity

(p.196) 12 Dans Ma Peau

Laura Wilson

Manchester University Press

Dans Ma Peau is not a usual werewolf film, primarily as it features no werewolves to speak of. What it does feature is a woman named Esther who, while wandering alone in the dark, gets cut by an unknown object. This wound pre-empts a series of self-inflicted injuries of increasing severity as Esther mutilates and devours her own flesh in an attempt to define herself against others while irreversibly losing herself to the beast within. Thus Dans Ma Peau uses a recognisable myth to construct a powerful way of thinking about selfhood. This chapter argues that the similarity of Dans Ma Peau with the werewolf myth comes from the film’s providing of a way of thinking about subjectivity: in particular, female subjectivity. Thinking of the subject in relation to Judith Butler’s Excitable Speech and Kristeva’s notion of the abject, this chapter offers an analysis of Dans Ma Peau that suggests a reworking of the female werewolf to present one woman’s troubled attempt to retain and define her own subjectivity through a process of self-harm.

Keywords:   Abject, Subjectivity, Selfhood, Self-harm, Film, Dans Ma Peau, Identity construction, Werewolves

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