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Gothic RenaissanceA reassessment$
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Elisabeth Bronfen and Beate Neumeier

Print publication date: 2014

Print ISBN-13: 9780719088636

Published to Manchester Scholarship Online: January 2015

DOI: 10.7228/manchester/9780719088636.001.0001

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Vision and desire: fantastic Renaissance spectacles

Vision and desire: fantastic Renaissance spectacles

Chapter:
(p.95) 5 Vision and desire: fantastic Renaissance spectacles
Source:
Gothic Renaissance
Author(s):

Beate Neumeier

Publisher:
Manchester University Press
DOI:10.7228/manchester/9780719088636.003.0006

Beate Neumeier focuses on ghostly apparitions and monstrous creatures like witches and devil-dogs in Renaissance plays from Shakespeare’s Hamlet, Macbeth and The Winter’s Tale to Webster’s Duchess of Malfi, Middleton’s Changeling, and Rowley, Dekker, and Ford’s The Witch of Edmonton. Drawing on Todorov’s concept of the fantastic and Kristeva’s notion of the abject, she focuses on the nexus between cognitive and affective uncertainties in conjunction with a historical analysis of the impact of notions of vision, death and desire for the negotiation of early modern boundaries between spirit and matter, the human and the non-human and its gendered implications in connection to the emergence of tragicomedy as a hybrid genre.

Keywords:   fantastic, abject, gender and genre, tragicomedy, witch, devil-dog, ghost, William Shakespeare, John Webster, Rowley/Dekker/Ford

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